Tuesday, September 4, 2012

New Ladies Light Copper Stainless Steel Case White Dial Necklace Pendant Pocket Watch

New Ladies Light Copper Stainless Steel Case White Dial Necklace Pendant Pocket Watch Review



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New Ladies Light Copper Stainless Steel Case White Dial Necklace Pendant Pocket Watch Feature

  • 100% brand new
  • stainless steels watch case
  • 40cm chain in it
  • precision Japanes quartz movement
  • come with black gift box
Stainless Steel Case, Japanese Quartz Movement,Roman Number, Modern Style,No Front Case,Smooth Back,White Dial, Quartz Pocket Watch with 30 cm Chain and Clip,Come in a Gift Box


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Thursday, August 30, 2012

Charles-Hubert, Paris Open Face Mechanical Pocket Watch

Charles-Hubert, Paris Open Face Mechanical Pocket Watch Review



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Charles-Hubert, Paris Open Face Mechanical Pocket Watch Feature

  • Chrome finish brass 41mm open face case with a matching curb chain
  • Skeleton dial with roman numerals
  • 17 jewel mechanical movement
  • Deluxe gift box
A contemporary watch with a classic feel, the Charles-Hubert, Paris Open Face Mechanical Pocket Watch #3673 pairs a skeletonized display with crisp silver tones and the traditional appeal of 17-jewel mechanical movement. Luminous hands and silver-tone Roman numeral hour markers make for easy time-reading, while a see-through window on the back cover draws the eye and imparts a modern touch. Complete with a matching curb chain, this Charles-Hubert original arrives in a deluxe blue giftbox. The Charles-Hubert 3673 is a pocket watch from the classic collection with an open view mineral crystal on the front and back allow you to see the 17-jewel (shock-protected) mechanical hand wind movement. Features a white dial with silver roman numerals for hour markers, silver luminous hands, sweep seconds hand, and a 42mm silver tone open face case. Includes a matching silver tone watch chain and a gift box. Case: Silver tone plated brass, 42mm diameter, 11.5mm thick. Chain: Plated metal watch chain. Warranty: Lifetime factory warranty.


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Wednesday, August 29, 2012

Men's UA Mesh Skull Cap Headwear by Under Armour

Men's UA Mesh Skull Cap Headwear by Under Armour Review



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An essential part of your football gear, this men's skull cap is fitted close to the head so it stays in place when you're in the thick of it. Lightweight, 4-way stretch construction improves fit and accelerates dry time so you stay comfortable. Signature HeatGear® Moisture Transport System keeps you cool, dry, and light. Mesh top panel for enhanced ventilation. Oversized metallic logo screen print so they know what you stand for. Men's one size fits all. Imported.


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Tuesday, May 22, 2012

Star Trek - Deep Space Nine, Episode 34: Whispers [VHS]

Star Trek - Deep Space Nine, Episode 34: Whispers [VHS] Review



Star Trek fans know that the character Miles O'Brien (Colm Meaney), the Irish-born engineer with a very small role on The Next Generation, grew into a major figure on Deep Space Nine, befitting Meaney's rising prominence in film (The Snapper). The episode called "Whispers" places the actor at the center of an unnerving, Twilight Zone-like story in which O'Brien returns to the station following an assignment in the Paradas system, only to find that everyone is treating him distantly. Commander Sisko (Avery Brooks) assigns him to meaningless work and denies the chief his usual security clearance on important matters. Meanwhile, the engineering crew lies to him, Odo (Rene Auberjonois) talks to him as if were a suspect, and O'Brien's closest friend, Dr. Bashir (Siddig El Fadil), and his own wife (Rosalind Chao) regard him mechanically.

Suspecting a conspiracy afoot, O'Brien finds ample evidence that a kind of Invasion of the Body Snatchers scenario may be underway, and he bolts from the station in a Runabout under a hail of fire. Searching for answers, the good chief runs smack into a cruel discovery about the nature of destiny and identity. A fine mystery from beginning to end, "Whispers" draws upon a favorite Star Trek theme, that of questionable realities and fear of madness. --Tom Keogh


Saturday, May 19, 2012

Star Trek - Deep Space Nine, Episode 67: The Die Is Cast [VHS]

Star Trek - Deep Space Nine, Episode 67: The Die Is Cast [VHS] Review



Case and VHS are like new, very clear picture and sound


Friday, May 18, 2012

Star Trek - Deep Space Nine, Episode 77: Indiscretion [VHS]

Star Trek - Deep Space Nine, Episode 77: Indiscretion [VHS] Review



Case and VHS are in very good condition, very clear picture and sound


Tuesday, May 8, 2012

Star Trek - Deep Space Nine, Episode 59: Life Support [VHS]

Star Trek - Deep Space Nine, Episode 59: Life Support [VHS] Review



Always intent on tackling big themes in unique ways, the various Star Trek series have covered the subject of death, from suicide to terminal illness to euthanasia, a number of times over the years. "Life Support" continues that bold tradition with a challenging story about dying and medical ethics. A radiation accident brings Vedek Bareil (Philip Anglim), Bajoran leader and lover of Major Kira (Nana Visitor), to the brink of death on the eve of important negotiations with the Cardassians. Aware of his condition but determined to see a historic treaty struck, Bareil pleads with Dr. Bashir (Alexander Singer) to keep him alive and conscious so he can coach the less diplomatic Kai Winn (Louise Fletcher) through the difficult talks. Bashir, who would rather place Bareil in indefinite stasis while seeking a cure, reluctantly yields but then protests as Kai Winn and Kira plead for greater and grimmer interventions to stave off the inevitable.

The strong but flawed script by Ronald D. Moore tries to lighten things up with a trivial, secondary story line about a conflict between Jake Sisko (Chiroc Lofton) and Nog (Aron Eisenberg), as if the main action is nothing but a turn-off. In fact, Bareil's tragedy is presented with painful honesty about the wisdom and morality of sustaining a life that might reasonably be called something less than human. The crossfire of altruistic and selfish interest between sundry characters makes for compelling drama, and the final scene of parting between the living and dying is quite moving. --Tom Keogh